Theater: New York (partial list) | |
| |
| A CHRISTMAS CAROL |
Christmas Future/Ensemble |
Queensborough Th. Project / Steve Wargo |
| SWEENEY TODD |
Jonas Fogg/Ensemble |
Piper Theatre / Michael Buffer |
| NEXT TO NORMAL (in concert) |
Dan Goodman |
Laurie Beechman Th. / Sarah Brett England |
| POPE! AN EPIC MUSICAL | God / Chief / Cardinal | Fringe NYC / Greg Moran |
| ON THE TOWN (in concert) | Opening Workman | Staten Island Phil. / Douglas Leland |
| KISS ME, KATE (in concert) | Pops / Paduan Priest | St. George Th. / Deborah Kym |
| THE MOST HAPPY FELLA |
Ciccio (chef’s trio) |
Gallery Players / Cara Reichel |
| DANTON’S DEATH | Hermann | Prospect Theater Co. / Cara Reichel |
| THE FLOOD |
Farmer #1 |
Prospect Theater Co. / Cara Reichel |
| |
| |
Theater: Regional / International (partial list) | |
| |
| THE BRIDGES OF MADISON COUNTY |
Robert Kincaid |
Chestnut Street Theater / Derek Corriveau
|
| BILLY ELLIOT: THE MUSICAL |
Billy's Dad |
Media Theatre / Geoffrey Goldberg |
| NEXT TO NORMAL |
Dan Goodman |
Two Of Us Productions / Steven Sanborn |
| THE LIGHT IN THE PIAZZA | Signor Naccarelli | Battery Factory Th. / Leslie Potashner |
| A LITTLE NIGHT MUSIC | Carl-Magnus Malcolm | South Mtn. TheaterWorks / Ken Magos |
| THE MERRY WIDOW | St. Brioche (Danillo u/s) | Manhattan Lyric Opera / Mark Verzatt |
| PRINCESS IDA | Hildebrand | Marjorie Lyons Playhouse / John Goddard |
| A WINTER’S TALE (in Italian) | Camille | Teatro Communale di Città della Pieve, Italy |
| THE MUSIC MAN | Olin Britt (barbershop quartet) | Mill Mountain Th. / John Glenn |
| THE PIRATES OF PENZANCE | Police Sergeant | Prospect Theater Co. / Christina Gelsone |
| SHE LOVES ME | Ladislav Sipos | Prospect Theater Co. / Damian Long |
| AS YOU LIKE IT | Lord Amiens | Prospect Theater Co. / Cara Reichel |
| |
| |
Film/TV |
|
|
| MCDICK (f/k/a BIG GUNS) |
Supporting |
Wallace Road Pictures / Chris McDonnell |
| HARVARD ON HUDSON |
Supporting |
Uptown Artists / Ray Guarnieri |
| LIFE INTERRUPTED |
Featured |
Sang That Productions / Tony Clomax |
| HOW DO YOU WRITE A JOE SCHERMANN SONG? |
Featured |
Kitchen Table Films / Gary King |
|
|
Training | |
| |
Acting Technique: George DiCenzo Acting Workshop (Doylestown) |
Vocal Technique: Susan Dash: Dash Voice Studio |
Improv Levels One/Two/Three: Mark
Grenier/Russ Armstrong/Armando Diaz: Magnet Theater
|
Musical Improv
Level One: Michael Martin/Frank Spitznagel: Magnet Theater
|
Musical Theater Scene Study Workshop: Jamibeth Margolis/Bryan Wade |
Classical Monologue Technique: Deloss Brown: Private Studio |
Dance (jazz, tap): Candy Rosenberg, Carl Sandemar: Gotta Dance Studio |
| |
| |
Education | |
| |
GROVE CITY COLLEGE, Grove City, PA, Bachelor of Music
|
INTERNATIONAL SCHOOL OF PERFORMING ARTS, Doylestown, PA (summer intensive workshop – scholarship recipient) |
| |
| |
Other Skills | |
| |
SPORTS: Swimming,
hiking, biking, motorcycles, martial arts (aikido, judo, kung fu)
|
WEAPONS TRAINING: Chinese broadsword,
some foil, knife, pistol, rifle, shotgun
|
DIALECTS: French,
Italian, German; British, American southern, New York, Philly
|
OTHER: Expert
sight singer, play piano and guitar, great with animals; can recite list
of U.S. Presidents while
intoxicated
|
